![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvSwFZuPKQnBTqGtXWnY8qZUOD7EDYnTNqO4BPQijBa3JK5vUlVV696-yaBvAQdY9VfV_L900d_AbkkA8Z8B2_SaAs88NmqhYhtKuv3WnWIbdWtxzRtqvjBBCnvulfFffVxZs5xDQIMl8/s640/type-3%5B1%5D.jpg)
That’s why I’m intrigued by what New York designer Tien-Min Liao has undertaken as a typographic challenge. Her self-initiated experiment explores the relationships between uppercase letters and lowercase letters, using only some ink and her hands.
To further challenge herself, Tien - Min made the transformation between upper and lowercase symbols a test in and of itself. After drawing shapes on one or both of her hands, the artist manipulated her gestures until an upper-case letter was produced. Next, she maneuvered her hand movement or changed the viewing perspective in order to transform the letter into its lower-case counterpart. Now, here comes the tricky part — any removing or redrawing of the original ink is not allowed; the change must come through the gesture or perspective.
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